When I’m unwell,
when the darkness descends and I can’t reach my characters anymore, I lock my
voice in a musty mental trunk, piling distractions on the lid. I talk only
about the most mundane and shallow topics. I write only grocery lists and
technical documentation for my day job. I'm a makeshift Pandora, barricaded in the dark with magazines and Netflix
binges, because chancing the loss of the light is unfathomable.
He notices. Of course he notices. Sometimes his comments are gentle nudges; sometimes he braves bloody
retribution with bald reminders that I’m crabby when I’m not writing, and
please go kill something on paper so I feel better.
My writing group
listens and commiserates, setting word counts and editing goals for the next
meeting.
But my words are
hoarded. I am Gollum guarding my Precious, and woe to anyone who forces the lid
open before I’m ready.
Woe to the
characters locked away; it gets crowded in there.
A polite knock
from inside the trunk prompts a gentle conversational poke from my conscience
about books requiring attention. It’s irritating. I ignore them both and watch
cat videos on YouTube.
A more insistent
pounding jiggles the trunk’s lid. My writing group gives me a deadline for
pieces they can critique. It’s grating. I finally read a non-fiction book I’d
promised to review six months a year ago.
The trunk’s
inhabitants lose patience; a small army of angry dwarves with
pickaxes strikes constant blows from beneath the lid. My head is full and I’m
cranky.
He gives
me the LOOK with a heavy knowing sigh, and reminds me that I NEED to write to
be well, because stewing is somewhere less than awesome for ALL of us. It’s
infuriating, and I watch terrible horror movies instead. Piece spoken, he knows
the inevitable pattern and lets me be.
Eventually, no
matter how far I withdraw from the world and myself, I return. I find a smidgen
of energy. I shut off the TV. I set the junk food books aside. My stubborn
streak subsides enough to let sense take over, and I hear my tribe’s
commentary, inside and out.
I open the box, careful not to damage the lock. I’ll need it later.
I open the box, careful not to damage the lock. I’ll need it later.
The fetid pool of
emotional sludge must be drained in order to let characters out. I write for my
own escape, for that painful release that only comes with a pressure valve’s
opening. In a tirade of furious handwriting in a half-full journal, words
gallop out of their prison on illegible ink. Pages fill with garbage that’s
been swirling inside for weeks, and I sigh when my hand is cramping
around the pen: the constant buzzing finally goes quiet in my head.
Writing is the
way I become well, and remain myself, under the onslaught of random plots announcing
themselves at inopportune moments. Notebooks fill with the new inspirations and
I have enough to stay busy until the next bout of darkness.
Some people
worry their secret lives will come to light after their death. Pacts are made;
promises to delete, burn, or otherwise eradicate anything a loved one might
find distressful. My fear is anyone reading my journals without knowing my
writing cycle would assume I’m constantly miserable.
The truth is, notebooks and journals carry the regular catharsis that unlocks the trunk of the clamor of tales pushing impatiently for THEIR turn. Universes wait inside me, but I have to clear the path before I can wallow in the lives of imaginary people doing imaginary deeds in imaginary worlds.
The truth is, notebooks and journals carry the regular catharsis that unlocks the trunk of the clamor of tales pushing impatiently for THEIR turn. Universes wait inside me, but I have to clear the path before I can wallow in the lives of imaginary people doing imaginary deeds in imaginary worlds.
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